#movie­of­my­li­fe

Kevin B. Lee | USA 2017, 2′, Video-Essay, Eng­lisch ohne UT
Spot­light

Die Serie #movie­of­my­li­fe des Locar­no Film Fes­ti­val 2017 lud das Publi­kum dazu ein, exem­pla­risch einen ein­zi­gen Film zu ehren. Kevin B Lee nutz­te die­se Gele­gen­heit, um nicht nur sei­ne Lie­be zum japa­ni­schen Regis­seur Ozu Yasu­ji­rō, son­dern auch zu sei­nem eige­nen Groß­va­ter zu beken­nen – und zu über­le­gen, wie bei­de Zunei­gun­gen ein­an­der über­schnei­den und berei­chern, selbst lan­ge nach dem Tod der beiden.

Film­de­tails

Screenings/Preise

Fil­mo­gra­phie

Bio­gra­phie

Kevin B. Lee is a film­ma­ker, media artist, and cri­tic. He has pro­du­ced over 360 video essays explo­ring film and media. His award-win­ning Trans­for­mers: The Pre­make intro­du­ced the “desk­top docu­men­ta­ry” for­mat and was named one of the best docu­men­ta­ries of 2014 by Sight & Sound. Through Bot­t­led Songs, his col­la­bo­ra­ti­ve pro­ject with Chloé Gali­bert-Laî­né, he was award­ed the 2018 Sun­dance Insti­tu­te Art of Non­fic­tion Grant, the 2018 Euro­pean Media Artist Plat­form Resi­den­cy, and the 2019 Eurimages Lab Pro­ject Award at Kar­l­o­vy Vary Inter­na­tio­nal Film Fes­ti­val. He is curr­ent­ly Pro­fes­sor of Cross­me­dia Publi­shing at Merz Aka­de­mie, Stutt­gart. Begin­ning in 2022 he will be the Locar­no Film Fes­ti­val Pro­fes­sor for the Future of Cine­ma and the Audio­vi­su­al Arts at Uni­ver­si­tà del­la Svi­z­zera ita­lia­na (USI).

 

Kon­takt & Links

Web­siteInsta­gramVimeo

Alle Fil­me in die­sem Programm

The Spiel­berg Face

The Spiel­berg Face 

The Care­er of Paul Tho­mas Ander­son in Five Shots

The Care­er of Paul Tho­mas Ander­son in Five Shots 

Inter­face 2.0

Inter­face 2.0

Trans­for­mers the Premake

Trans­for­mers the Premake 

Rea­ding // Bin­ging // Benning

Rea­ding // Bin­ging // Benning 

Once Upon a Screen: Explo­si­ve Paradox

Once Upon a Screen: Explo­si­ve Paradox 

Mour­ning with Minari

Mour­ning with Minari 

#movie­of­my­li­fe

#movie­of­my­li­fe