Arma­ged­don 2

New Aes­the­tic: The End of Uto­pia? Part II

Das Inter­net auf Kuba ist sehr lang­sam. Fil­me, Seri­en und Infor­ma­tio­nen wer­den über einen Medi­en-Schwarz­markt ver­brei­tet, auf exter­nen Fest­plat­ten, auch bekannt als „el paquete semanal“.

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Film­de­tails

Corey Hug­hes

Cuba/USA 2017, 5′, Spiel­film, Eng­lisch ohne UT

Pro­duk­ti­on: Black Fac­to­ry Cinema

Trai­ler

Screenings/Preise

Par­di di Doma­ni Spe­cial Jury Award — Locar­no film Fes­ti­val, Inter­na­tio­nal Film Fes­ti­val Rot­ter­dam, Mel­bourne Inter­na­tio­nal Film Fes­ti­val, Val­di­via Film Festival

Bio­gra­phie

Corey Hug­hes is a Bal­ti­more based film­ma­ker crea­ting short films, music vide­os, and publi­ca­ti­ons floa­ting bet­ween nar­ra­ti­ve, docu­men­ta­ry, and expe­ri­men­tal ten­den­ci­es. His short films have pre­mie­red at Inter­na­tio­nal Film Fes­ti­val Rot­ter­dam, Mary­land Film Fes­ti­val, and Locar­no Film Fes­ti­val, whe­re he was award­ed the Par­di di Doma­ni Spe­cial Jury Prize.

Fil­mo­gra­phie

2018 My Expan­ded View

2017 Cae­sars Palace

2017 200 Nam Nam

2016 Ouchie­mon­go

Kon­takt